AVATARIUM - The Fire I Long For
Celkové hodnocení alba: 82%
Rok vydání: 2019
Celkový čas: 43:58
Avatarium is no longer the side project of one particular man named Leif Edling, but is now driven forward by the core duo of vocalist Jennie-Ann Smith and guitarist, songwriter, producer, and husband Marcus Jidell (The Doomsday Kingdom, ex-Evergrey, ex-Soen). The Fire I Long For marks a return to the band's doomier sound, following the more upbeat Hurricanes And Halos.
Nuclear Blast promoted this album by calling it 'dark gospel', and this is one of the rare occasions that a label actually nails it with a press release. Still, the best description one could give was provided by the most famous / infamous figure of this website who called it 'adult-oriented doom' (a term borrowed from adult-oriented rock or AOR).
The album is indeed demonstrating the softer side of Avatarium, either with ballads such as the country-tinged "Lay Me Down" and the melancholic title track or with the '70s retro rocking single "Rubicon" and the band's homage to Led Zeppelin's "Kashmir" in "Great Beyond". The heaviest cuts are the two -out of three in total- tracks written by Edling; "Porcelain Skull" is based upon riffs and bass notes taken straight from Candlemass's playbook and only gets lighter when its organ-filled chorus is heard and when the lead guitar soars in the outro, while "Epitaph Of Heroes" is also riff-centric and generally adopts a more occult vibe.
The thing with The Fire I Long For is that even though it is remarkably good in the songwriting department, boasting a weighty guitar tone, a distinctive bass rumble and some dazzling organ parts (especially in "Voices"), it wouldn't be half as good with another singer. Jennie-Ann Smith's voice overflows the album with warmth, passion, seductiveness, sadness and pain all at the same time and it is this very gifted woman that accentuates the music's spellbinding atmosphere, be it in the rocking tunes, the sensitive ballads or the epic Swedish doom tracks.
Avatarium's fourth full-length oozes maturity, not in the sense of it being watered down, but in the way a bottle of exquisite wine is left in the cellar for a long time and is only opened when it is ready to reveal all of its aroma and taste. And it is the doom rocker I was longing for to close what has been a magnificent year for the doomier side of metal.
"No leaves on the trees
Flowers made of stone
Just a cold bitter wind
Blowing through my bones"
Born from epic doom laden mastermind known as Leif Edling, Avatarium sprung on the scene in 2013 with the self-titled debut, the band immediately seized your author’s heart into a black dismal grip and filled it with dark raw sultry lust. Not since Candlemass has a band completely captivated the imagination, all centered around metal’s best frontwoman (by far), Jennie-Ann Smith and guitarist, songwriter, producer and husband Marcus Jidell (Doomsday Kingdom/ex-Evergrey). Now on the fourth full length release, the band has matured like a vintage wine – now labeling themselves “dark gospel,” perhaps one of the most poignant descriptions of music ever. To put it bluntly, “The Fire I Long For” is exactly the album I long for in these dark and miserable times.
When the band released the sophomore album “The Girl with the Raven Mask” back in 2015, it was hard to see the maturation process when the desire for more of that epic doom from the debut was so immense. Looking back now, the process of side stepping the proto-typical Edling songwriting mode to a fully distinguishable style was not only essential, but necessary. Through that album, boundaries were broken and reset, paving the way for 2017’s “Hurricanes and Halos” – at that time the band’s pinnacle release. “The Fire I Long For” forges ahead with less reliance on grandiose elephantine riffs and more on accentuating the central focus of the band: Jennie-Ann Smith.
The passion and sultriness that emanates from Smith‘s voice has an alluring voodoo effect that beguiles the listener into a trance (even more so when you see the band’s live performances and Smith‘s glorious interpretive dancing). Emphasized even more than with her powerful main vocal delivery, the devil is in those little touches: lightly inverting the notes within the verses, the ever so slight granular crackling trail at the end of a line, the subtle highs and lows that leave you breathless with syllable. Many listeners (including here) have this same feeling when listening to Anneke van Giersbergen. At the risk of sounding creepy, the feeling is stronger with Smith. Radiating spellbinding magic, she has the extraordinary ability to lighten the dreariest of melodies while still projecting an eerie “something is not quite right” doom vibe. The more mid-paced and slow the song, the stronger the effect (check out “Stars They Move” for all of the above wrapped in one). She is the quintessential companion to music that walks the tightrope between epic doom and dark rock.
Smith aside for a moment, “The Fire I Long For” ‘burns’ with just as much passion and power through the songwriting and performances. While retaining just enough of that epic Swedish doom to keep it within the realm, the maturation to dark gospel cannot be properly described with words. Listening to an Avatarium album has become a ceremonial experience (not in terms of a Navajo healing ceremony, though one can conjure up some images of that very thing). With the right mood and headphones, you could understand how. This is a cage match between uplifting and disheartening, where somber and fetching melodies collide and compete for the listener’s imagination. Gorgeous solos soar over penetrating riffs, leaving a satisfying impact. Though Avatarium is by no means a “stoner” band, the sound and intellectual class that the band brings to balancing both music and lyrics is, in of itself, a drug.
Stand out songs are difficult to pick when faced with an album of gems, but “Porcelain Skull” and “Epitaph of Heroes” will definitely appeal to fans who have followed the band since its epic doomy inception. The songs still marry all levels of Avatarium songwriting, but hearken back to full on doom of “Pandora’s Egg,” as a solid reminder of exactly where they are rooted. “Rubicon” and “Shake That Demon” are stunning tracks that fully embrace that matured songwriting over the past couple of releases – doom tinged rockers that are highly (…gulp….) danceable!?! The closing ballad “Stars They Move” is breathtaking, as is the faster paced ballad “Lay Me Down” – both perfectly represent what makes Avatarium one of the best bands on the planet.
As Avatarium progresses with its discography, each record sees the band pushing the boundaries of its talent by doing the very thing that stunts progression in many other bands: doing exactly what makes them great, just better. Doom metal may not be the correct descriptor to fully contain the sound of Avatarium, and the band has done well to evolve while keeping a strong root in the subgenre. “The Fire I Long For” is the best album the band has created….since the last best album, and so it goes for a band that redefines its music by continually getting better. Dark gospel…there is nothing more fitting and perfect than that.
Rating: 9,5 of 10 points